« July 2007 | Main | September 2007 »

August 30, 2007

Village Artisans 25th Anniversary Show

Over the weekend I delivered some work to Village Artisans' for the 25th Anniversary show. I was one of the founding members of this artists co-op.

The venture was a retail venue in the Village where members could sell their art work. We paid an annual fee ( it covered the annual rent) the 10% of sales (to cover telephone, other expenses) and each manned the store. There were 22 of us, as I remember-full and half members. I still have friends from that group. I'm looking forward to the reunion on 8 September.

I learned a lot from participating. I learned about price points. I learned about sizing. I observed what behaviors lead to artists growth/income.

Village Artisans is exhibiting a two piece set, opera shawl and feather pleated boa dyed together, like the one in the picture but in chili red with black.

AB:fuschia set.jpg


I'm proud that the co-op still exists. It is a great way to dip your toe into selling your art work.

August 28, 2007

A tangle of thoughts

One throws out threads of ideas and others pick them up add a few more and pass it on. Others mess it up and soon there is a tangle, a ghost of an idea.

When I visited with Pat Freiert she mentioned that she and her husband had taken a course in MINDFUL LIVING. This sounded to me like the mindfulness of the tea creremony (the attactive part to me) or the Zen way of creating decribed in the Unknown Craftsman.
Now Leach, who wrote the introduction to this book has his detractors--Garth Clark is one. His words spoke to me too:

Fine art ceramics is not a panacea and we do need to revalue and encourage the craft pot, provided it can find a contemporary voice.

The blog, What's in the Making has a few entries, thoughtful, and the following intro:
The crux of the matter
As a Slow Notion, this topic delves into the practical, aesthetic and moral dimensions of the craft process. In the spectrum of production, design refers to the conception and promotion, while making is the middle process that brings design into being. In late capitalism, making becomes ever more invisible. Our factories have gone to China. This has led to anxieties about skill-shortage in the West. Does it matter that we no longer make things? Does it matter how things are made -- whether they are made by hand or who makes them?

This blog dicusses the Droog design philosophy and now the emergence of iCraft. Can prototyping desk top computer displace the craftsperson?

the United States currently has a significant market and technological advantage in these technologies, all of which directly convert computer design files that describe objects as “3D models” into physical objects constructed layer by layer (i.e., assembling particles of work-piece material digitally on each layer and then adding to the work piece one layer at a time). Digital production (or rapid manufacturing) transforms engineering design files directly into functional objects—ideally, fully functional objects.

Pat of South Carolina South Carolina talks about slow weaving.

I'll leave the DYI movement for another entry.

August 24, 2007

Thanks!

I want to thank Peg in South Carolina, Marguerite, Helen,Tracy, fruitbat, Casy, coral-seas, Danielle, Diane, Fiona and of course glennis for commenting! I do know that you are all out there, I do have a site meter on the front page and the bloggng service provides better stats.

I am terribly sorry for the delay in posting comments. I have a spam filter service enabled and it holds all comments including mine for approval. It would be pretty ulgy without this.

My fantasy was that there would be discussion after some of the entries, a bit like this one over at In A Minute Ago.

I have recently been thinking about the time consuming nature of fiber arts. Does this mean that these arts are endangered by todays fast paced life? Would people who spend an hour a day meditating or doing yoga need that if they were doing some repetitive fiber art? Where does the joie de faire come from-- is it hard wired into our beings? Why do we make? Is it the process or product or both that give us the joy? The product is the easist to share with others, is the pleasure in process self-indulgent? Would making things improve non-makers (most people) lives?

August 22, 2007

Zen Garden Shawls

Zen-Dry_garden.jpg


These shawls were inspired by dry landscape gardens
found on the grounds of Zen Buddhist Temples in
Japan. The raked lines of the sand reminded me of the
pleats so I added some elements to the fabric which
function as the rocks in the gardens. The resemblance
between the shawls and the gardens includes the physical
frailty of the lines in the sand and in the silk; lines that
change with time and yet remain the same with human
reforming to overcome nature’s entropy. I hope I have
captured the spirit of these austere reductive gardens
and that the wearer become engaged in the process when
wearing and caring for the Zen Garden Shawl.

Zenshawlthistle.jpg

The aesthetics that I aspire to in this work is Wabi Sabi. If you are not familiar with this concept there is a delightful little book, Wabi Sabi, by L. Koren.


These shawls are a limited edition series and each one is numbered and comes with a signed insert with the number. Each one is made from two yards of silk. It can be worn as a scarf or a shawl. These have gotten quite a bit of critical praise, detail of one appeared on the covers of the Surface Design Journal, Spring 2004 and the cover of Silk by Mary Schoeser

I sent 3 of these to La Jolla FiberArts for the Sensational Shibori exhibit. The colorways at La Jolla are Green Tea, Dark Green Neutral and Red Ochre. I urge you to go to La Jolla to touch and try them on. I do my best with pictures but seeing them in person is the real deal.

I have a few more here, for sale, each one is a different colorway. They are easy to wear and each is $339, shipping included. If you are interested in one of the few remaining you may leave a comment or call me (9-5, EDT) at 937.767.8961. Upon request I will post here my photos of colorways so that you can get ideas of what they look like , but remember each person's monitor shows different colors. We take credit cards and the easiest way to transact business with us now is by telephone.

Five of colorways I still have are:
20/99 Fushia Fizz
8/99 Teal
50/99 Thistle Blue (pictured above)
70/99 Nasturtium
22/99 Persian Gold

There are others, so don't be bashful, ask if we have your favorite color. I'll take some pictures and post them here so you can see.

Zen DGN.jpg

August 21, 2007

Sensational Shibori

redpopgstar detail.jpg


SENSATIONAL SHIBORI
Presenting the most captivating Shibori designs by the best of today's artists, including: Doshi, Carter Smith, Karren Brito, Rae Gold, Teri Jo Summer, Barbara&Wayne Chapman, Nuno, David Speck and more.


La Jolla FiberArts
7644 Girard Ave.
La Jolla, CA 92037
858.454.6732

August 20- September 23, 2007


Opening Reception for the Exhibit
Friday, August 24th ...............................6:30-8:30pm
Food, Drink & Music


********************************************************************************************************************

I sent mostly one-of-a-kind pieces to this show including this Singed Illusion Vest.


singedillvest.jpg

August 16, 2007

More info on ISS 08

The World Shibori Network has put up some preliminary information about the International Shibori Sympossium (ISS) to be held in France in November 2008.

SAVE THE DATE 7th International Shibori Symposium France ‘08 Provence (Roussillon, Nîmes, Lauris), Lyon and Paris November 2008 7th ISS France 2008 Overview Shibori spans our planet. Shaped-resist dyeing bridges cultures, religions, languages, and time. The ISS seeks to explore and realize these dynamic connections. Thus, the venue of the 7th ISS is, naturally, France. The French experience will include the World Tie-dyed Textile Exhibition at the Musée du Quai Branly (Paris), historical textile collection at the Musée des Tissus et des Arts Decoratifs (Lyon), one of the world’s great textile museums, and the resurgence of natural dyes in Provence (red ochre, Roussillon; indigo, Nimes; madder, Lauris). Proposed Dates: Symposium dates are tentatively being considered for November 1* to 10, 2008. The natural dye workshop/field study component of the symposium (Roussillon segment) is proposed for Oct 31 – Nov 04. The Lyon / Paris segment is proposed for Nov 05- 10. Agenda highlights: Marketable design/craft products that support cultural and personal identities, especially from Africa, Japan, and India. Bazaar, wearable art show, trunk sale, and exhibition. Fashion and textile International Students Competition, and a Paris exhibition to be held at a school. A key school in each country will take charge in organizing regional competitions. Connections with the earth: ethnic textiles; natural dyes; photographic exhibition “Shibori from the Ground Up.” Scholarly papers on ethnic and historical textiles and processes, inspirational presentations by artists and designers Hands-on workshops and demonstrations by artisans and artists



Contact:
It is important that we hear a response from all of you who are interested in taking part in or
attending these events in France. Please help us organize a great program of events by sending us
an indication of your interest and any feedback you care to share.

World Shibori Network Office
iss08fr@gmail.com
696 Hilldale Ave. Berkeley CA 94708 USA
T +1-510 527 3432 F -0231
website: www.shibori.org

August 11, 2007

A few applause

This blog has been recognized by Catwalk Queen (Kyra, my 17 yr.old calico says a blog about me? do they talk about earrings (her fav)? Thank you!


Creative+Blogger+Award+Black_215x38.jpg

This award was genersously given by Stingativity. It carries a responsibility__ to give out 5 more. It was orginated by Writers Reviews. It will take me some time to edit the list down to 5.

Every little bit of recognition for these ramblings on this rather narrowly focused blog serves as encouragement. I send these posting out into cyber-ether. Are they just floating out there, does any one read them? I have hopes that is blog will be more interactive, with you all out there posting comments and responding. Glennis of Shibori Girl is a loyal commenter. If you read and learn or enjoy, could you please make a comment-- it is very sustaining. Makes it worth deleting hundreds of junk comments.

August 10, 2007

A tradtional Japanese red dye

Many traditional women's under kimonos were red, a lovely soft red. Some one asked how to achieve that red on a silk/cotton cloth.


This was traditionally a red from SAFFLOWER (Japanese-benibana, Carthemus tintorius).

Safflower.jpg

It looks like this red although he says it is an aniline dye (an old vague term but does indicate synthetic dye). Very little is written about how to dye with it except in the appendix of Wada's book, Shibori, page 285.

The red color is rather fugitive and not used much outside of Japan because of other more fast natural red dyes; madder, kermes, lac and cochineal. The ephemeral nature of the dye appealed to the tradtional Japanese. The petals of the safflower contain many dyes; yellow and red are the predominate ones. To get to the red dye the yellow one must be extracted first and removed. Then one can extract the red dye for use. On the other hand this one dye source, safflower petals, can produce a whole range of colors from yellows,saffron, oranges, pinks, reds and browns. Dried safflower petals can be purchased at some Chinese herb shops.

Natural dyes have no affinity for any fiber one must use a mordant to bind the dyestuff to the fiber. The mixed fibers cotton and silk can both be dyed with safflower. I would probably use a alum-tannin-alum mordant to make sure that the cotton dyed well.

Not a dye for instant gratification. But red.

August 09, 2007

What people will do to wear red

red dresses.jpg image from NYTimes.


A mythical red dye, called Dragon's Blood , would cause the wearer's death. This appears as an integral part of one of Shakespeare's tragedies. A wronged woman gives the offending interloper a beautiful red robe dyed with Dragon's Blood, of course. I don't remember the actual outcome, just the intended one.

E.J.W. Barber, in her scholarly book, Prehistoric Textiles, says that Pliny classic writers used the Greek term, sandaraca, for a beautiful red mineral that was also used as a dye. The same mineral was used in paintings through the Renaissance. The mineral is realgar, a soft red arsenic compound. In Colors: The Story of Dyes and Pigments says that it was one the red pigments used by prehistorical Egyptians in paintings, cosmetics and medicines. Realgar was only mined by prisoners, another dimension to the dangers of mining. Arsenic can be absorbed through the skin and tiny amounts can give one a very beautiful complexion, as the Victorians knew. But arsenic accumulates in the body and continuous wearing of garments impregnated with realgar, though strikingly red, would make the wearer extremely sick with in a month.

Today, Okotex (sp?), a European organization that sets standards for dyed textiles has different standards for outerwear (little contact with the skin), intimate wear (worn on the skin), sportswear (sweat leaching possible) and babywear (saliva leaching possible). The fewest dyes are acceptable for babywear, natch. Many dyes contain heavy metals that can accumulate in the body if they make it in.

Processing of the dye can be as important as the dye itself in the effect on the body. Residual soda ash is quite irritating to the skin. The wash down procedure for fiber reactive dyes is the critical step in determining their safety. The wash down process is long and arduous, takes as long or longer than the dyeing. Standard industrial procedure is wash at a boil with ample agitation followed by extensive rinsing. Procion MX is the hardest to wash down.

Someone mentioned indigo rubbing off on the skin. Indigo is the oldest known dye and can be done so that it does not crock, it takes skill and care. The Tuareg, also known as the blue people, and others like excess indigo on the surface of the cloth because of the sheen that it gives but that is a cultural preference. We have a 5000+ year history of exposing people to indigo and haven't yet noticed any ill effects. Yet there was an incident in the early 1990's with Smith& Hawkens, or 7th Generation trying to be environmantally aware and having some sweaters hand-knit with some yarn dyed with natural indigo. The hand knitters broke out from the yarn, the skin on their hands and arms was a mess. Some more than others, but it was all natural, what could be the problem? Well indigo requires a high pH, achieved with wood ash, soda ash or lye, to dye. The yarn had not been properly neutralized and the residual alkalinity was causing all the trouble.

This entry was precipitated by some conversations on the dyerslist, where I also posted it.

August 07, 2007

ISS 2008

I found this announcement in the current issue of FIBERARTS:

In the Works: Shibori Symposium in France The 7th International Shibori Symposium will take place in October/November 2008 in France---taking advantage of the World Tie-dyed Textile Exhibition at the Museè du Quai Branly in Paris, the renowned Museè des Tissues et Arts Decoartifs in Lyon, and the resurgence of natural dyes in Provence. The World Shibori Network wants to hear from those interested in taking part or attending the symposium: 510.527.3432, iss08fr@gmail.com.

The World Shibori Network website, www.shibori.org, has no listing for it yet.

I have attend two of these ISS; 1999 in Santiago, Chile and 2002 in Harrogate, England. ISS in Chile was marvelous, I had pieces in the fashion show and wrote a review of it in the Surface Design Journal. Here are a few images from Santiago.

ISS99.jpg

The ISS in Harrogate was smaller, but I did share an image of a banner I took there. I was one of the presenters in Harrogate. Grace and I worked hard on some new and innovative garments for the Fashion Show in Harrogate and it was a whole different affair (student run) than the event in Chile (very professional). Here is one outfit that we made:

ra'srays.jpg
This one has an Egyptian theme and is done with my usual shibori. We did another (sent 4 outfits altogether) that was more innovative. It is silk illusion (often used for bridal veils) and it was resisted in an arashi shibori technique but instead of dyeing the resisted silk, I burned it. It is now 'Singed Illusion'. Some of the carbonized silk is washed away and the pleats are set. The coloration is due to the burning. I thought that a dress made from Singed Illusion might be appropriate for a second wedding.
Singed Illusion Dress.jpg

Both these images are poor, they were taken with film then scanned. The slides are great. Now all my images are digital, no more film.

But back to the ISS, Chile was fabulous, but in pre-hispanic Chile & Peru textiles were THE art form. Harrogate was interesting. I hope France will be grand. Lyon was the center of the silk industry in France.

August 02, 2007

Yarn Cleaner

In light of my recent problems, I have become aware of stray things in yarn. In the most recent issue of Textile World this ad caught my attention:

yarn cleaner.JPG

Let me quote some of the copy:

The YarnMaster... exceeds all previous expectations for comprehensive yarn cleaning of forgein matter and optimal online quality control....Intensive practical trails in various applications have proven that even white and transparent polypropylene in raw white spun yarns is reliably detected.

Polyproylene is a plastic. I guess more than one place has had a problem with incorpation of plastic in their yarns. Who knew!

August 01, 2007

On time and making

I met a woman yesterday in an encounter that managed to push some of my buttons. The thoughts keep rolling around in my head, they have not yet coalesced, but I thought putting some thoughts out there might help me.

The woman that I met introduced herself as a jewelery maker which I interpertued as a kindred spirit. Every question that came out of her mouth was related to how long did that take. Wow, that must take a long time! That must be tedious and time-consuming. Clearly this is a woman in the throes of time-poverty; she has a daughter, husband, job and hobby.

But is the making things faster the same as making them better?
~industry is the best at making many things fast. I do not want to compete with industry, I will lose. Therefore I want to have different values for judgiing what I do-- making it faster is not necessarily better for me. Clearly just making the same thing that industry makes but doing it slowly is not what I am after. Is there something, something interesting, that that industry can't make that I can make? Some of this was discussed previously in an entry,'Slow Fashion"
~I could be a designer instead of a maker if just the idea is important. If I am going to design and make then my hand, the hand of the maker, must leave a distinctive imprint on the object.
~What are the criteria for judging what I make? My criteria, others criteria? I must be proud of the quality and what the ideas that it embodies. It must have value for others too to keep it from being just a self-indulgence. But who; customers, other artists/makers, critics, museums...? Clearly if I want to sell then it has to be customers. If I want to be in museums than it has to be critics/curators.
~What about the textiles that I admire, were they made with speed of completion as a value? When I study ancient Andean textiles, they are exquisite (1, 2, ).

gauze.jpg
Image from VMC.http://www.textilemuseum.ca/cloth_clay/research_chancay.html


They were made with very simple technology. No advanced technology today can duplicate them, the only way to make them is with the same simple technology and skill and time. How did people who had a much shorter life expectancy, and much more physcial labor involved in the daily tasks of life, eating, shelter and personal hygine, have so much more time to dedicate to making of such textiles. Oh yeah, they had to raise the animals, spin, weave the cloth of every day life too. But then the way to power and wealth in the Wari (Huari) civilization was to make the most beautiful Four Corner Hat!

4cornerhats.jpg

Image from this site.


Hosting by Yahoo!